So, I’m back in an ill-timed get-serious-about-storytelling phase, which resulted in me spending the entire afternoon reading Film Crit Hulk. Who is Film Crit Hulk, you ask? Why, only the awesomest green-skinned, musclebound blogger in the universe! He’s an anonymous individual in the movie business (dealing mostly with screenwriting, it would seem) who uses a hulk-sized, all-caps writing style to churn out essays on film, storytelling, and culture. Essays that are often longer than the senior theses at my college. And, he is so freaking good at it.*
At any rate, Film Crit Hulk is a feminist, and this impacts his views on the way we tell stories. Now, seeing as female individuals comprise about half of humanity, I really ought to have better-formed thoughts on this. However, I don’t (yet), so I’ll be largely holding my tongue. Except on this one thing.
See, Film Crit Hulk in his smashing article on The Hero’s Journey pointed out that storytellers these days don’t know how to deal with women. They tend to do one of two things: make them a fairy princess, an idol, a Madonna… or else they turn her into a temptress and a femme fatale. And if they want to pay lip service to the notion of gender equality, they just give her a gun– and let her maintain a side-character/love-interest status with very little actual characterization. Hulk then names off a few goddess myths which people interested in writing awesome women might want to check out, and encourages the reader in that general direction.
On one level, my first thought is “cool.” But on another, it makes me nervous. In the effort to go out and prove that women can be just as interesting characters as men, I’m worried about folks turning those women into men. If we want to make good, interesting, excellent female protagonists, we can’t just make them men in skirts. Because, honestly, Braveheart kind of has that market cornered.
I’m all for recognizing the fact that women are people (duh), and even awesome people (seriously, duh), right there in our storytelling. I don’t want a world where guys are the only protagonists and girls are all just the trophies the heroes get at the end.** Or femme fatales, because if the only powerful/independent women are also evil… well, let’s just say that people who tell stories like that make me want to go all smashy on things.
But if you’re a guy trying to avoid these problems and create a good female lead, you have to be careful. Guys don’t always understand other guys, and women are another thing entirely. Female people, you know. That’s a different language to think in. Yes, all people are just people, this is true; but people are complex, so seeing the world through someone else’s eyes is tricky business.
This is not to say it shouldn’t be done. No, I’m just saying it’s good to be cautious. I would rather see an overdone archetype done well, than someone try to think outside the box and end up making a dude in a girl’s body. Or worse–a flat, grey, characterless monstrosity. Because the way I see it, that does women even less justice. Actually, I find it kind of insulting. But what do I know? I’m not the one being insulted.
Anyhow, that’s my two cents. Thoughts welcome.
*I read a lot of his articles today. But if you want a good start towards storytelling 101, try his article on Three-Act Structure. It’s a nice taste for his style and some of the stuff he likes to talk about. Also just plain good. Warning to folks of a sensitive eye: Sometime Hulk swear.
** I really wish I had a link to that one scene in A Knight’s Tale where Adhemar and William are talking about “Trophies, horses, women.” Then again, no I don’t. Because this means you’ll just have to go and watch that whole movie just to find that one line. And that would make me happy.